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A provocative, exuberant novel about time, memory, desire, and the imagination from the internationally bestselling and prizewinning author of The Blazing World, Memories of the Future tells the story of a young Midwestern woman’s first year in New York City in the late 1970s and her obsession with her mysterious neighbor, Lucy Brite.
As she listens to Lucy through the thin walls of her dilapidated building, S.H., aka “Minnesota,” transcribes her neighbor’s bizarre and increasingly ominous monologues in a notebook, along with sundry other adventures, until one frightening night when Lucy bursts into her apartment on a rescue mission.
Forty years later, S.H., now a veteran author, discovers her old notebook, as well as early drafts of a never-completed novel while moving her aging mother from one facility to another. Ingeniously juxtaposing the various texts, S.H. measures what she remembers against what she wrote that year and has since forgotten to create a dialogue between selves across decades. The encounter both collapses time and reframes its meanings in the present.
Elaborately structured, intellectually rigorous, urgently paced, poignant, and often wildly funny, Memories of the Future brings together themes that have made Hustvedt among the most celebrated novelists working today: the fallibility of memory; gender mutability; the violence of patriarchy; the vagaries of perception; the ambiguous borders between sensation and thought, sanity and madness; and our dependence on primal drives such as sex, love, hunger, and rage.
About the Author
Siri Hustvedt is the internationally acclaimed author of a book of poems, six novels, four collections of essays, and a work of nonfiction. In 2012 she was awarded the International Gabarron Prize for Thought and Humanities. Her novel The Blazing World was longlisted for the Man Booker Prize and won the Lost Angeles Book Prize for Fiction. She has also published numerous papers in scholarly and scientific journals. She has a PhD in English literature from Columbia University and is a Lecturer in Psychiatry at Weill Cornell Medical College. Her work has been translated into over thirty languages. She lives in Brooklyn, New York.
Praise for Memories of the Future by Siri Hustvedt
“Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt. Her sentences dance with the elation of a brilliant intellect romping through a playground of ideas, and her prose is just as lively when engaged in the development of characters and story. Her wonderful new novel, Memories of the Future, is, among other things, a meditation on memory, selfhood and aging, but the plot is driven by the encounters of a present-day narrator with the young woman she was when she moved to New York City in August 1978. The drama that arises from these encounters is a reckoning between male privilege and female rage as timeless as Medea and as contemporary as #MeToo...Any material drawn from the writer’s life has been triumphantly transmuted into fiction that skillfully weaves disparate narrative strands into a vast tapestry encompassing personal, political and cultural struggle.”—WASHINGTON POST
“This provocative, experimental novel from Hustvedt (The Blazing World) joins several narratives to illustrate the roles of memory and perspective in making sense of a life...The many moods and flavors of this brash 'portrait of the artist as a young woman' constantly reframe and complicate the story, making for a fascinating shape-shifter of a novel.”—PUBLISHERS WEEKLY (STARRED REVIEW)
"Various forms of detection, anchored to Hustvedt’s deep knowledge of neuroscience and art, propel this rapier attack on sexism; this is a lusciously layered and suspenseful 'portrait of the artist as a young woman,' electric with wit, curiosity, and storytelling magic."—BOOKLIST (STARRED REVIEW)
“Like all the best postmodern novels, this metafictional investigation of time, memory, and the mutating self is as playful as it is serious.”—KIRKUS REVIEWS
“Hustvedt knows a good mystery when she sees one, and what's a more compelling mystery, at least to an artist, than the way time Mobius-strips one's existence into a smooth, if mystifying, continuum?...Memories of the Future shines in its observations on the fluidity of time and the ways in which one's older and younger selves can coexist.”—MINNEAPOLIS STAR TRIBUNE
“Ms. Hustvedt’s novel is both a tender elegy and an extended boast about all the cool places she used to frequent before the city became rich and boring...[it gets] the narrator’s strange relationship with [her neighbor] just right: In a city so crowded, a person can change your life before you’ve even met her.”—WALL STREET JOURNAL
“[An] exhilaratingly over-the-top, self-proclaimed “portrait of the artist as a young woman”…Reading a Hustvedt novel is like consuming the best of David Lynch on repeat: the rotting ear nestling in the immaculate flowerbed in Blue Velvet; the twisted secrets witnessed from the hiding place of a closet. Spying and being spied on are intrinsic to Hustvedt’s work: it is part of the flourish and the theatrics…Her gauche girl detective persona conceals (of course) a formidable intellect roving among Hustvedt’s favoured subjects of neuroscience, philosophy, literature and gender, and what is most interesting in the book is to see how that gradually assimilates with events around her…Ideas somersault nimbly in the novel as memoir jostles with memories. Primarily, SH writes of a past of navigated possibility from a future of unforeseen jeopardy: in 2017, the established novelist laments the current political scene of progression lurching backwards. It is a point at which both SH and her creator appear, in this intense, high-spirited Bildungsroman, to have come full circle.”—Financial Times (UK)
"Among the many riches of Siri Hustvedt's portrait of a young woman finding her way as an artist are her reflections on how acts of remembering, if they reach deep enough, can heal the broken present, as well as on the inherent uncanniness of feeling oneself brought into being by the writing hand. Her reflections are no less profound for being couched as philosophical comedy of a Shandean variety."—JM Coetzee